I just ate
three five chocolates to celebrate the fact that my book’s cover design is finally approved. This was more than a three month process. The talented artists at Simon&Schuster went through four designs before resulting in this one:
I like the bold red and gold, the cozy, interesting vintage bed, and the opened book on it. And I’ve got to say, cover designs that match the writer’s dream don’t usually come together. Here’s how it happened.
Years ago, when I started writing The Sleeping Dictionary, I thought there was a strong chance I would self-publish, so I got an account at Istock, a photo image shopping source. There I saved a “lightbox” of good images I might one day use. I gathered pictures of ornately carved doors, intricate textiles, graceful young women in saris, and also, a very romantic, canopied bed (all right, it was a Moroccan bed, but I would sleep in it any day!) Then my book was sold to the amazing Kathy Sagan at Simon&Schuster…and I thought I probably wouldn’t look in the India lightbox again.
Writers don’t direct their cover designs. Our skills are typically stronger for words than graphics and images. Therefore, we are offered “cover consultation.” The art department comes up with a design, and if you absolutely hate it, will prepare another one for you to consider. Fortunately, I’ve never heard the swearing that must be inevitable after someone sweats for weeks on a design that I’ve rejected.
Over the last ten books, I’ve had thirty-plus covers, if you count all the US hardcovers, the foreign editions and trade and mass market paperbacks. Generally, for the paperbacks and all foreign published editions, I know nothing about what the covers look like until a box of finished books thuds onto my porch. Still, my favorite Rei Shimura cover design of all time is the very first one. How I love the face and Mount Fuji-san…let’s forget that only elderly farmers in Japan would ever wear such a conical straw hat!
The early cover design ideas for The Sleeping Dictionary appeared in February. I’d post them if they were not lost in the Iclouds. But I remember them! Both cover ideas were sepia toned photographs. The first was a teenaged Indian girl wearing a North Indian dancer’s skirt and blouse. She was smiling and frolicking in a meadow. The other was an image of a naked Victorian lady seated with her voluptuous back and buns facing the viewer. Now, there is a short chapter in the book about naked photographs…but this cover was from a different era, featuring a European! There was nothing ugly about these cover designs–but they just didn’t connect with the material inside the book. Quietly praying to myself–they will change the cover!–I sent my editor a polite note with suggestions and a link to the sepia toned photos of Calcutta from the University of Pennsylvania’s magnificent collection and also the image of the Moroccan bed from Istock.com. Luckily she adored the bed, and a month later the art department came up with a cover featuring their own Indian bed.
I was so thrilled with the publisher’s willingness to put a nice-looking bed with a red coverlet on the cover that I didn’t have the heart to make any comments other than they maybe brighten up the red. But in my long-ago imaginary design for self-publishing, I’d thought there should be a book on the bed. It turned out I didn’t need to say this, because the assistant publisher was struck by the idea herself, and voila!
But we weren’t done yet.My agent suggested that the book was awkwardly large–and the green didn’t play well with the red and gold. At a publishing meeting in New York, I mentioned that the book might look better if it was opened, like someone had been interrupted while reading. Again, the publisher listened–and a nice new book appeared on the bed!
The Sleeping Dictionary will be released August 20. But you can pre-order it now through Amazon or any bricks-and-mortar bookseller. If you do this, and you’d like something special from me now, I’ve started mailing out signed, personalized book plates to stick inside the books. Pre-orders REALLY help the book to succeed…and right now I still have the time to send out bookplates in a timely fashion! I will sign personal messages to you, your mother, your friend, your school library…whoever! Just email me the details of where you’ve ordered The Sleeping Dictionary, and where I should mail your bookplate.
Hey! If you would rather have the book’s title page signed in ink by me, simply email one of the early bookstores on my tour–like Once Upon a Crime, Centuries and Sleuths, Mystery Loves Company, and The Ivy. They’ll take pre-orders and get the details from you on what I should write on the page. And rest assured that your book will be mailed straightaway once I’ve had it in my hands.
2 thoughts on “The Road to the Right Cover”
When I was arranging my book (The CI Desk) cover with the publisher, I decided to add a poster that I had up in one of my old offices, since the design was an office scene. It was a closeup of a baboon, a shot I had taken during a trip to Kenya. The art department apparently misunderstood, and instead carefully added the baboon, not on a poster, but sitting on top of a cubicle, looming over the office. It didn’t make much sense, but I liked it, and approved the design. I think that’s turned out to be a major selling point for the book, the only FBI/CIA memoir with a baboon on the cover!
Chris, your comment about the baboon made me laugh so hard I spit coffee all over my keyboard!
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